Tag: Slick Rick

Throw Your X Up

One thing I love about New York is the constant surprises. I woke up Monday morning with no idea of what the day had in store. I read the NYT and stumbled on the fact that Slick Rick was playing at a free Hip Hop concert in the Bronx. I lucked out and was able to get a ticket for the very same day, and plotted my first ever journey to Orchard Beach.

A latecomer to hip hop, as I described previously, I learned a lot about its history at the concert in the Bronx. Hip hop’s beginnings in 1973 are traced to the rec room of DJ Kool Herc, at 1520 Sedgwick Avenue. DJ Kool Herc invented hip hop and unleashed it on the world on August 11 at his sister’s birthday party, when he played his “break beat” using two turntables with the same record on each, to extend the most danceable drum section of the track.

I was excited and extremely moved to be at this inaugural NYC Homecoming Week free concert in the Bronx, where hip hop began. It seems all the hip hop pioneers from the Bronx performed. I felt so lucky to be there hearing these master artists spin and scratch their beats, rap their rants, and drop their knowledge.

DJ Hollywood (the ur-hip hop artist from Manhattan, who is reputed to have coined the term hip hop) kicked off the show with rhymes to please. He got the crowd dancing from the first lick on his turntable.

DJ Jazzy Joyce was the only female headliner who performed. Remy Ma was also on the bill but didn’t appear, to the disappointment of more than a few fans. But I really dug DJ Jazzy Joyce, one of the most prominent female rap DJs in America, and a producer on New York City’s radio station Hot 97. Born in the Bronx, she has also worked under the name Sweet Lime Pie.

The crowd was mostly over 40, and probably over 50. Folks who were actually around in the 80s and, as some proclaimed, late 70s, and were there at the birth of hip hop. Obviously a very cool crowd. I was surprised when the audience started booing one of the performers. Most of the acts had a 10-minute limit, and one guy just didn’t want to get off the stage so he launched into a raunchy rap, proclaiming he was a sex star. You wouldn’t think it would be possible to rhyme with something even ruder than anus, but he did it. Folks in front of the stage booed and shook their head and yelled for him to stop. I guess there are limits, and the crowd was there for a family-style concert. I liked that.

Headliners KRS-One (Knowledge Reigns Supreme Over Nearly Everyone) and Slick Rick capped off the night, followed by a grandmaster jam that Busy Bee hijacked to end the music in the true spirit of hip hop battle rap. Slick Rick didn’t come back onstage for the final jam, and KRS-One dissed him for showing up at the event in a green car that matched his green outfit and eyepatch. Burn!

Busy Bee buzzed around the stage all night, in fact. He did his own set and kept popping up again, ready to battle and relive the glory days. Born in the Bronx, he started in 1977 and was in the first battle royale, one of the most infamous battles in history, against Kool Moe Dee.

Other hip hop pioneers on stage:

  • Grammy winning Kid Capri, the first hip hop artist to be inducted onto the Bronx Walk of Fame.
  • CL Smooth
  • Grandmaster Flash and the Furious 5
  • Fantastic Five
  • Grandmaster Melle Mel
  • Grand Wizard Theodore

In addition to the freaking amazing hip hop performances that made me dance non-stop for six and a half hours, another highlight was when New York State Senator Jamaal Bailey freestyled with brother politician-rapper, Bronx Borough President Ruben Diaz Jr.

U.S. Senator of New York and Democratic Party Senate Majority Leader Chuck Schumer talked about saving the birthplace of hip hop, and making it a National Place of History. Schumer declared August 11 as National Hip Hop Appreciation Day (this is legit–he passed a resolution on the floor of the U.S. Senate, and Congressman Jamaal Bowman passed it in the House). He presented a plaque to Rocky Bucano, founder of the new Universal Hip Hop Museum, located at 610 Exterior Street, the Bronx.

Manhattan-born Mayor Bill de Blasio showed us that you don’t have to be from the Bronx to throw your X up! The Bronx is back!!

Inextricable from hip hop, maybe, is graffiti art. Artist TatsCru, featured at the top, did live art throughout the concert.

It was an astonishing day. Can you imagine?! Waking up thinking I’d probably spend the day writing on the computer. Instead, I saw over a dozen Hip Hop legends, state senators, mayors, and the DA! I love NYC!!

P.S. In case you haven’t figured it out, throw your X up means you love the Bronx. XXX

City Beats Rap New York

Slick Rick Orchard Beach the Bronx 2021
Slick Rick in green eyepatch and monster rapper medallion at Orchard Beach, the Bronx, August 2021. It’s time for Hip Hop in NYC.

I think of myself as a latecomer to rap and hip hop, but last September New York Magazine printed “The City and the Beats: 100 songs that tell the story of New York rap.” It took me a few months but I listened to all 100 songs. I was sorry when I got to the end of the list. Hip hop had become part of my soul.

The Wu Tang Clan’s C.R.E.A.M (Cash Rules Everything Around Me) and Slick Rick’s licks were a couple of my faves on the list that I dial up again and again. Slick Rick’s Children’s Story (1989) and La Di Da Di* (1985) just caught my fancy and I loved this London-born nasal-toned pirate with the biggest bling necklace on the planet.

Here were my other 10 top faves from the list of 100. Click this KQS NYC Beats playlist if you need a lift to your spirits and dance like it’s 1989.

  • M.O.P. – Ante Up (Robbin Hoodz Theory) – 2000 Broolyn armed
  • DMX – Ruff Ryders’ Anthem – 1998 poppy motherfuggas
  • Erik B. & Rakim – Paid in Full – 1987 “This is a journey” was sampled by Handsome Boy Modeling School, a long-time fave.
  • Juice Crew – The Symphony – 1988 Opening with Morricone’s haunting spaghetti Western call, this posse cut is hilarious.
  • Lost Boyz – Jeeps, Lex Coups, Bimaz & Benz – 1998 catchy Queens representin’.
  • MC Lyte – Ruffneck – 1993 butch swagger that led the way.
  • Kool G Rap & DJ Polo – Streets of New York – 1990 hardcore street rap.
  • Run-DMC – It’s Tricky – 1987 love it! Obviously a big influence as evidenced by many** who came after.
  • Salt-N-Pepa – Push It – 1987 this was a cross-over hit that I saw on Much Music in Canada. The dancing, the balls, the rapaciousness. Like I wish you would! And I have to add Shoop – even hotter, and filmed at Coney Island.
  • Beastie Boys – No Sleep Till Brooklyn – 1986 big surprise for me – I thought they were white wannabies, but they can rap, finishing each other’s lines with a metal backbeat. This one is obviously an homage to Motörhead’s No Sleep ‘Til Hammersmith, and Slayer’s Kerry King is guesting on guitar.

Big surprise, most are from the 80s, when I was a metal head. But I guess it’s the era we come up in that creates the music that stirs our soul.

* Don’t cry, dry your eyes” sampled on Handsome Boy Modeling School’s 1999 Album, So… How’s Your Girl? Fave track: Rock n’ Roll (Could Never Hip Hop Like This).

** I still have the 45 of Funky Cold Medina (1989, Tone Loc), which I used to bring to the biker bar in New Westminster, Rockin’ Tonight, and force the DJ to play 5 nights a week!